"Heaven done called another blues singer back Home."

On this date in 1970, Heaven done called Janis Joplin back Home. Rest in Peace, Janis. 

And thanks.

Fats Domino: "Give Me Some" (released 2006)

From the Wikipedia contributors, regarding this post-Katrina Fats release:

.... Domino also released an album in early 2006 to benefit the Tipitina's Foundation, which supports indigent local musicians. The title song was recorded after Katrina, but most of the cuts were from unreleased sessions in the 1990s. ....

The cut below is not only a little taste of the musical gumbo that is New Orleans music but also a tour of New Orleans' famous soul cuisine. Amusez-vous!

New Film on J.D Salinger (2013): Finally, Confirmation That There is a Vault of Unreleased Work

J. D. Salinger

The beginning of access to the unpublished works of J.D. Salinger is foreseeable. I've waited three decades to say I'd confirmed my hope -- my craving just to know, well, more about the Glass family. This unseen work from Salinger's six decades of self-imposed exile may indeed be published soon.

 The public seeing, indeed discovering, this treasure may be on the horizon.

50 years ago .... "A Change is Gonna Come"

Fifty years ago today, The Rev. Dr. Martin Luther King, Jr. said it his way. At that same event on the Mall in DC, Bob Dylan said it his way. But if Dylan isn't your cup of tea, how about this 1963 track from Sam Cooke.

Rory Block, "Twelve Gates to the City" (2012)

This tune opened up more avenues of exploration than I can count. I know right now is I've got brush up on my Rev. Gary Davis, learn some more about Jerusalem and definitely keep an eye on this country blues guitar master.
As the AllMusic.com guide put it, "[S]he does a remarkable job of channeling the basics of her subject's technique and grafting it onto her own inimitable style."

Roy Orbison: "Mystery Girl" (1989) (".... Am I left to burn, and burn eternally ...")

Bono and The Edge wrote this song for Roy. It was Roy's last record (released posthumously).

Marvin Gaye & Tammi Terrell - "California Soul" (1969; 1970)

I had this album, but I still didn't understand the influence Motown was having on the industry. I came to learn that Motown was built to generate crossover records of the highest quality. California Soul is a good, early example. Two stars, one at an early peak, Tammi recently passed -- Valerie Simpson filling in the spaces. With Ashford and Simpson writing and producing most of the songs, a pure crossover style, in both music and appearance -- this record charted pop but failed to chart R and B. This style lasted. Evolved, but lasted.

This single is an aural paradise.