21 November 2014
Paco Malo, Meet BradleyQ
14 November 2014
I Remember Tampa
26 September 2014
13 August 2014
16 July 2014
Thanks For the Memories...
Gold Coast Bluenote was founded in 2005, by Jim Kearney (aka, Paco Malo). It was a labor of love that he took on to share his knowledge and express his feelings about the music, the movies, the art, and the literature that shaped his life. There are over 500 entries in this blog, and each contains Jim's unique insights and observations about a host of different subjects. Today would have been Jim's 57th birthday. I am honored to be able to keep GCB up and running, and accessible to all who pass through to research, review, and remember the topics he covered. Please feel free to browse through his posts, commenting and sharing on any of them that has a special meaning in your life.
12 July 2014
Great Music, Great Friends
It's funny how our lives weave together disparate elements, and make them inseparable. I was listening to some tunes last night. The music got me thinking about Jim, and GCB, and that in turn made me think of you.
Here's the back story behind an old post on GCB:(http://goldcoastbluenote.blogspot.com/2006/12/all-my-answers-turned-out-to-be.html). Alison Krauss and Union Station were scheduled to play Lakeland in Dec 2005. I wanted Jim to go see them, and to cover the concert for GCB.
Why? Union Station is the tightest band I have ever seen. Every member is a master musician. Some bands sound great on an album, but just so-so live. Union Station delivers the goods live, every time. Alison Krauss was then (is still) one of the best singers in the world. And she also has the instrumental chops to play with Union Station. Jim had never seen them; I wanted to fix that.
I knew Jim was a bit tight on funds, so I bought him a ticket. As we exchanged emails, it dawned on me that he had no way to get from Tampa to Lakeland and back. In for a dime, in for a dollar. I bought another concert ticket, and a plane ticket, and arranged to fly in from NC so that Jim and I could see the show together. One of the best nights of my life, by the way.
As Jim put it
First timers think they are just going to a concert; but after they listen to these musician’s musicians, they leave the show, just having found that Yahweh cuts us sinners a break now and again.
Digging around on youtube I found a great concert recording of AK/US. It's about three years before the show we went to, but has a quite a bit of overlap with the show we attended. I saw this 2002 tour in Durham NC, and it made me a fan for life. Sometime when you have an hour or so, read Jim's post, open a cold one, and give this a spin: http://youtu.be/HKgTra0QldE
Just one thing though. The concert Jim and I went to had a different encore, as mentioned on GCB. It gave me chills. Here it is, as performed on the Leno Show:
later bro,
drc
01 July 2014
"Baby Doll": Our first glimpse of legendary character actor, Eli Wallach
26 June 2014
The Shangri-Las: One Adaptable song I used to play as well as a Phil Sector "Wall of Sound" Gem
Hello Gold Coast Bluenote friends and followers. My name is Mike Baluja, and I am honored to say that I've been granted permission by Jim's family to maintain his blog. My primary objective will be to make sure that his body of work remains accessible to all those readers out there who are interested in the the topics Jim wrote about. I plan on reblogging many of his 512 posts and sharing them on various social networks. I will also do the best I can to attend to any comments or questions along the way. On occasion, I may be moved to post something of my own, sticking as close as possible to Jim's blueprint for GCB. I can't guarantee the same commitment to this blog that Jim showed, but I will definitely try to maintain the integrity and the love he had for music, movies, and art, in general. That said, I would like to leave you with what would have been Jim's final post. It was saved in draft form, so I imagine he still had a few things to edit before publishing it, but he never got the chance to. Here it is...
The song Paradise I discovered on a late friend's Phil Spector box set I'd highly recommend, Back to Mono from 1991. It's a comprehensive journey through Spector's pioneering work, including his most ending "Wall of Sound" work. What is the Wall of Sound? he Wikipedia Contributors let songwriter John Barry, "who worked extensively with Spector", describe it:
[It's] basically a formula. You're going to have four or five guitars line up, gut-string guitars, and they're going to follow the chords...two basses in fifths, with the same type of line, and strings...six or seven horns, adding the little punches…formula percussion instruments–the little bells, the shakers, the tambourines. Phil used his own formula for echo, and some overtone arrangements with the strings. But by and large, there was a formula arrangement.From the songs include and Tom Wolfe's included essay, I learned the merits of mono production. To experience the Wall of Sound is quite simply to fall in love with it.
It seems I'm always working backward; the girl groups were biggest in the early '60s, when I was six. These days its trying to learn the music from the black R and B charts I've never had a chance to explore
For my money, lead singer Betty Weiss (front right) is the hot, hot, hot -- sexier to me than my imagination can muster.
15 June 2014
As you may have imagined, "Paco Malo" was a pen name. I want to say a few words about the man I knew as "Jim".
We met in high school, and were friends for more than forty years. Jim was a gentleman and a scholar. He held a PhD from Johns Hopkins, and a JD from U of Maryland Law School. He loved to laugh, and did so in spite of a life too often touched by pain. He was a compassionate and generous soul. Jim was that guy who really would have given you the shirt off his back.
And he loved music, man did he love music. The GCB blog was his way to share that love and his wide-ranging knowledge of all things musical. Jim loved the community of blogging, the back and forth of comments, the connection with his readers. On his behalf I say to every reader of this blog, thank you.
For me this post completes a circle. Back in the day when blogs were a new thing I ran a blog, now long shuttered. Jim was fascinated, and had the idea to contribute guest postings, always about music. After a bit of that, he decided to go solo, and Gold Coast Bluenote was born.
Over the years Jim and I shared many a musical discovery. The last note I sent him contained links to a couple of performances I think he would have enjoyed. I don't know whether he got the chance to watch them. I will post them here, for you his readers, his friends.
The first is a bluegrass cover of "Wild Horses" by Old and In The Way. Jim was huge Stones fan, and he appreciated good bluegrass. The second performance features the superb Ana Vidovic. Jim never could resist a guitar.
I hope you enjoyed those, Jim. Ave atque vale, my friend.
One more thing. One of Jim's musical collaborators is going to try his hand at running GCB. That's a tall order, but I think Paco would have been pleased.
drc
18 May 2014
Steve Earle, "This City" from "Treme" (2010)
Story-songs don't get much better than This City. The story Steve weaves together is solid American history. This City will last 'til the marble crumbles in D.C.
10 May 2014
"Laughing Out Loud": The Wallflowers (1996)
25 April 2014
Warren Zevon: "The Wind" (2003): 'Fending Off Death Naturally Through the Transition from Immortality'
The Wind (Artemis, 2003) Naturally he fends off death-the-fact the way he fended off death-the-theme -- with black humor. "I'm looking for a woman with low self-esteem" is how he sums up the succor he craves, and he finishes off a painful "Knockin' on Heaven's Door" with impatient cries of "Open up, open up, open up." But "El Amor de Mi Vida," "She's Too Good for Me," "Please Stay," and "Keep Me in Your Heart" mean what their titles say. Only by hearing them can you grasp their tenderness, or understand that the absolute Spanish one seems to be for the wife he left behind, or muse that while the finale addresses his current succor provider, it also reaches out to the rest of us. Everyone who says this isn't a sentimental record is right. But it admits sentiment, hold the hygiene, and suggests that he knows more about love dying than he did when he was immortal. A-That's an A+ analysis, but, in my humble opinion, I disagree on Christgua's rating. This essential "facing death" record gets an A.
Disorder in the House (w/ Bruce Springsteen)
21 April 2014
Ruben "Hurricane" Carter Passes
Hurricane: The Miraculous Journey of Rubin Carter
New York: Houghton Mifflin Company
The Song:
Bob Dylan lays this travesty of justice raw
during The Rolling Thunder Revue Tour
with his song Hurricane, from the album Desire (1975).
(Above is an alternate master.)
18 April 2014
Gabriel Garcia Marquez' "One Hundred Years of Solitude", Redux
Señor Márquez, Requiescat in Pace. http://www.bbc.com/news/world-latin-america-27073911
13 April 2014
Carolyn Wonderland at Skipper's Smoke House: Texas Burnin', with a Cherry Red Custom Telecaster and a Lone Star Lady Singin' the Blues
TEXAS BURNING with Carolyn Wonderland: I Live Alone With Someone
04 April 2014
An Event that Changed America on April 4, 1968: "Shot rings out in the Memphis sky"
At 6:01 p.m., April 4, 1968, a shot rang out as [Reverend Dr. Martin Luther] King stood on the second-floor balcony of the [Memphis motel where he was staying while he supported] black sanitary public works employees ... who had been on strike since March 12 for higher wages, [pay equity with white employees] and better treatment. From the Wikipedia Contributors on Martin Luther King, Jr.
One man come and go
One man come, he to justify
One man to overthrow
What more in the name of love
In the name of love
What more in the name of love
One man he resist
One man washed on an empty beach.
One man betrayed with a kiss
What more in the name of love
In the name of love
What more in the name of love
Shot rings out in the Memphis sky
Free at last, they took your life
They could not take your pride
What more in the name of love
In the name of love
What more in the name of love
In the name of love
What more in the name of love
...
(U2, Pride (In the Name of Love), The Unforgettable Fire (1984)
31 March 2014
"Lost but not forgotten, from the dark heart of a dream"
for the sins of somebody else's past ...
You inherit the sins, you inherit the flames ...
Lost but not forgotten, from the dark heart of a dream,
Adam raised a Cain
26 March 2014
Steve Earle Covers His Mentor's Best: "Townes" : "Pancho and Lefty" (2009)
He's (Townes) is like a philosopher-poet. He gets to the heart of it in a quick way; gets it out. It's over, and just leaves the listener to -- think about it.Here Steve Earle covers this superb, truly American song.
25 March 2014
Stephen Stills' "Manassas": "Both of Us (Bound to Lose)" (1972)
Yep, it was 1972.
(Manassas percussionist and Tampa native Joe Lala passed away this month. This one's in memory of you, Joe.)
20 March 2014
13 March 2014
Toots & The Maytals - "Pressure Drop" / The Slickers - "Johnny Too Bad"
The second cut, from The Slickers, has, to my ear, a whole different feel. And it still get 5 stars from me. Enjoy!
18 February 2014
"Knockin' on Heaven's Door": Eric Clapton's Reggae Cover (1975)
13 February 2014
"Sleepless in Seattle" (1993): The Perfect Valentine's Day Movie
Happy Valentine's Day!
08 February 2014
Bonnie Riatt & Aretha Franklin: "Since You've Been Gone" (live)
28 January 2014
Genre Pioneer Pete Seeger Passes on to His Reward
23 January 2014
A Mature Bruce Springsteen and The Big Man's Last Solo for Him
I just finished reading a collection of interviews, speeches and encounters, Springsteen on Springsteen (2012) containing Bruce's 2011 eulogy for his E Street Band's founding sax player, dear friend Clarence Clemons. After giving the eulogy, Bruce told an interviewer, he went home, put on The Big Man's sax solo in the yet unreleased song Land of Hope and Dreams, and cried. I love that song off Wrecking Ball (2012), an album I've enjoyed thoroughly since I got a copy last summer.
Mature; that's what this record is. Bruce's recent speeches and interviews attest to that maturity. Not really surprising; the man is 64.
The daring arrangements and historically-aware ethnic diversity in the tracks, some of Irish and traditional immigrant folk with complete, authentic instrumentation. But there's plenty of the straight ahead, take-no-prisoners social commentary about the world we live in. I see plenty of charismatic rocker I've followed devotedly since the late 70s.
Springsteen on Springsteen may be best for die hard fans, but the album should bring new listeners from Bruce's international audience to the fold. (His photo up top was shot at a festival gig in Denmark.
Here's a taste of mature, pure rock n' roll redemption.
14 January 2014
Frank Capra's "It Happened One Night": The Hitchhiking Sequence
{Reposted from 2009}
From Frank Capra's 1934 ground-breaking It Happened One Night -- the first film ever to sweep the major Oscar categories -- here's the film's most famous sequence: "Hitchhiking".
Claudette Colbert plays a runaway heiress and Clark Gable is the worldly reporter who can both help her escape her controlling father and also "get the story" that will bolster his career. ("Runaway heiress" was a common theme in films of the 30s and 40s. This film came out to low initial expectations, but, as word mouth got around, the film found it's audience and remains popular to this day.)
Two things to keep in mind regarding this sequence: first, the theme: "The limb is mightier than the thumb"; second, watch the film editing carefully as Colbert gets a car to stop from them. It's a perfect demonstration of the power of editing, showing Capra's genius emerging.
03 January 2014
"Where the eagle glides ascending, there's an ancient river bending ...." --Neil Young
From 1979, a year that rock saw punk and Anglicized reggae ascending -- here, with audience reaction removed, is an acoustic track from a live collection comprising one of Neil's finest albums.