Showing posts with label Rock History. Show all posts
Showing posts with label Rock History. Show all posts

25 April 2014

Warren Zevon: "The Wind" (2003): 'Fending Off Death Naturally Through the Transition from Immortality'


Warren Zevon's last record was released two weeks before he died. The CD arrived in yesterday's mail.  I give this masterpiece five stars with a bullet. Nonetheless, greater minds than mine have evaluated this record. Robert Christgau has been the quintessential rock 'n' roll critict, to my mind, since I first discovered him in 1972 and way before that. Here's Christgua on Zevon's The Wind:
The Wind (Artemis, 2003) Naturally he fends off death-the-fact the way he fended off death-the-theme -- with black humor. "I'm looking for a woman with low self-esteem" is how he sums up the succor he craves, and he finishes off a painful "Knockin' on Heaven's Door" with impatient cries of "Open up, open up, open up." But "El Amor de Mi Vida," "She's Too Good for Me," "Please Stay," and "Keep Me in Your Heart" mean what their titles say. Only by hearing them can you grasp their tenderness, or understand that the absolute Spanish one seems to be for the wife he left behind, or muse that while the finale addresses his current succor provider, it also reaches out to the rest of us. Everyone who says this isn't a sentimental record is right. But it admits sentiment, hold the hygiene, and suggests that he knows more about love dying than he did when he was immortal. A-
 That's an A+ analysis, but, in my humble opinion, I disagree on Christgua's rating. This essential "facing death" record gets an A.

Disorder in the House (w/ Bruce Springsteen)

04 April 2014

An Event that Changed America on April 4, 1968: "Shot rings out in the Memphis sky"


At 6:01 p.m., April 4, 1968, a shot rang out as [Reverend Dr. Martin Luther] King stood on the second-floor balcony of the [Memphis motel where he was staying while he supported] black sanitary public works employees ... who had been on strike since March 12 for higher wages, [pay equity with white employees] and better treatment. From the Wikipedia Contributors on Martin Luther King, Jr. 

Reverend King was assassinated on April 4, 1968, on the balcony of the Lorraine Motel in Memphis, Tennessee -- the wreath marks the spot where King fell, mortally wounded. 
___________________________________________
One man come in the name of love
One man come and go
One man come, he to justify
One man to overthrow
In the name of love
What more in the name of love
In the name of love
What more in the name of love
One man caught on a barbed wire fence
One man he resist
One man washed on an empty beach.
One man betrayed with a kiss
In the name of love
What more in the name of love
In the name of love
What more in the name of love
(nobody like you...)
Early morning, April 4
Shot rings out in the Memphis sky
Free at last, they took your life
They could not take your pride
In the name of love
What more in the name of love

In the name of love

What more in the name of love

In the name of love

What more in the name of love 

...
(U2, Pride (In the Name of Love), The Unforgettable Fire (1984)


31 March 2014

"Lost but not forgotten, from the dark heart of a dream"

Bruce Springsteen (1976)

You're born into this life paying,
for the sins of somebody else's past ...
You inherit the sins, you inherit the flames ...
Lost but not forgotten, from the dark heart of a dream,
Adam raised a Cain
Adam raised a Cain

12 November 2013

Etta James: "I'd Rather Go Blind" (1968)

Etta James in 1960

I cut my teeth on Rod Stewart's 1972 cover of the soul classic I'd Rather Go Blind from his Never a Dull Moment album. Now I realize Etta James is responsible for creating the definitive version of this song four years earlier at FAME Studios in Muscle Shoals, Alabama. Indeed, Ms. James handed off her co-writing credit for the lyrics -- a collaboration with Ellington Jordan.

For anybody wondering why Stewart is a "white boy lost in the blues" compared to Etta James, here's my evidence:


27 October 2013

Lou Reed Goes to the Otherside


Lou Reed (1942-2013)

Read more: http://www.rollingstone.com/music/news/lou-reed-velvet-underground-leader-and-rock-pioneer-dead-at-71-20131027#ixzz2iwvfk8vG 

I try to focus on genre pioneers 'round here. When it comes to New York City rock 'n' roll, Lou is, was and always will be the man. Requiescat in pace.



20 October 2013

Delta Blues Rock for the Angels -- Specifically, Mephistopheles


Epoch-marking, breakthrough Mississippi Delta blues that would become the definition of what-we-do for the late 1960s and early '70s rock guitarists from Keith to Eric by way of Muddy Waters. Johnson played "live to the mic" with only one acoustic guitar, on 1930s recording equipment. And his one guitar filled the aural space of an army of guitars, in the cut below anticipating the solid body electrics such as Fender Stratocaster. Riveting.

There's nothing based in legend about Johnson's musical legacy.


04 October 2013

"Heaven done called another blues singer back Home."


On this date in 1970, Heaven done called Janis Joplin back Home. Rest in Peace, Janis. 
And thanks.

28 August 2013

50 years ago .... "A Change is Gonna Come"

Fifty years ago today, The Rev. Dr. Martin Luther King, Jr. said it his way. At that same event on the Mall in DC, Bob Dylan said it his way. But if Dylan isn't your cup of tea, how about this 1963 track from Sam Cooke.

16 August 2013

Roy Orbison: "Mystery Girl" (1989) (".... Am I left to burn, and burn eternally ...")


Bono and The Edge wrote this song for Roy. It was Roy's last record (released posthumously).


26 July 2013

Rolling Stones: "Factory Girl" (1968), (With Some Silly Censorship on the Side)



(From top to bottom: The Original Cover, LP Inside Photo Art 
and The Cover Released in December of 1968)
ON THIS DATE (44 YEARS AGO)
July 26, 1968 - Mick Jagger expected to celebrate his 25th birthday with the release of the Rolling Stones album, "Beggar’s Banquet," the first time his guitar playing was featured on a Stones record. The release was held up, however, because label executives feared that the cover, featuring a filthy men's room urinal with graffiti on the walls, would be judged offensive. The album was finally released in December of 1968, but with an all-white cover made to look like an invitation. By: All Things Music Plus
My colleague Richard Stranger brought this to my attention. Much ado about nothing, looking back. I love that original cover art, but more importantly, the music this album contains is essential listening. Beggar's Banquet also marks the beginning of a period of blues rock productivity that that has few rivals.

Here's a deep album, non-rock cut that's always been a favorite of mine.

18 July 2013

"Either he's going to have to stand and fight, or take off out of here."

Joni Mitchell at her post-Blue (1971) finest, from her 1976 folk / jazz album Hejira -- Jaco Pastorius on bass on this cut, Coyote.

Dig it ladies and gentlemen!

22 June 2013

The Velvet Underground -- Alternate Lou-approved Outro to Cut from "Loaded" (1970): Sweet Jane



This is is one of the only LPs I ever "borrowed" and never returned. I guess I stole it but this record was so fundamental to my late-70s-'til-now musical development, well ....

Hear what all this fuss out of me for the last four decades is about just below.

(Bye the bye, Maureen Timmons and The Cowboy Junkies do a rock solid cover of this essential song.)


25 May 2013

To Good for the Basement Series: A Timeless Ronettes single, Part of Phil Spector's Wall of Sound


I discovered the song Paradise many years ago on a box set -- Phil Spector's Back to Mono (1958-1969) (1991) -- that belonged to dear departed friend. Thanks again, Dana!

I read recently that Ronnie (top center above) has a minor romance with Stones guitarist Keith Richards. I have to admit, I'm a little envious. It sounds like two kids having a good time together.


The Wikipedia contributors, at The Ronettes discography, tell the back story to Paradise concisely:
The Ronettes recorded many songs for producer Phil Spector which were not released until after the group disbanded in 1967. Today, some of their originally unreleased songs are just as critically applauded as their biggest hits. Paradise was not released until after the group broke up [-- on an earlier Spector collection, Phil Spector Wall of Sound, Vol. 5: Rare Masters Vol. 1 (1976)] ....
And let me share just one anecdote, again from the Wikipedia contributors, about when Ronnie met Keith Richards for the first time on The Ronettes first tour of the U.K. in 1964:
On their first night in England, The Ronettes were brought to a party at Tony Hall's house where they were introduced to The Beatles. ... But for Ronnie, one of the biggest thrills was meeting Keith Richards of The Rolling Stones, who were the opening act for The Ronettes opening act on their UK tour. ... Richards, who wrote of his relationship with Ronnie: "The first time I ever went to heaven was when I awoke with Ronnie (later Spector!) Bennett asleep with a smile on her face. We were kids. It doesn't get any better than that."
There is no better way to learn more about Phil Spector's groundbreaking "Wall of Sound" than to listen to the original recordings. So give this clip a few virtual spins and you will get a little taste of Paradise -- you may never want to come back.

20 May 2013

"... No, I don't belong to her, I don't belong to anybody ...."

The master tapes for this formerly unreleased Dylan treasure were given to the film's director Todd Haynes, after a frustrating search, by Neil Young. Personally, that tells me something about the quality of the song. Originally an outtake from The Basement Tapes (recorded 1967; released 1975), this song appeared for the first time on the I'm Not There Soundtrack (2007). I'm relishing it.

And here's another Basement Tapes gem that shines in the film. I'd never heard this song and now it's a favorite of mine; Jim James and Calexico give us a great cover.

I may have more to say about the two disc soundtrack to Haynes' film when I've better absorbed this wall to wall AAA set of covers that were the film's starting point. For now, dig these treasures reborn.

12 February 2013

Happy Mardi Gras

Throw me somethin', Mista!

Over 8 years ago, I quit drinkin'. I remember at the time, I made a list of places I love that I better not visit for a while. At the top of that list was my beloved New Orleans. And I spent a good bit of time last night rollin' through some fine memories of many a Mardi Gras celebration I thoroughly enjoyed.

But, without regret, I know my Mardi Gras days are behind me. To be frank, it's the most alcohol-soaked, wonderful celebration this country (the U.S.) has to offer. Now it's not lost on me that in some of the most special cities in the world, Carnivale is being celebrated to mark the last day of reverie before Lent kicks in tomorrow.
And damn it, I want to play too. So, to all those partying today around the world, I offer this wonderful tune from a band everyone should know or learn about, The Meters.

04 February 2013

Some History of "Time is on My Side"


Irma Thomas (2006)

This song is most often associated with the 1964 cover by The Rolling Stones, due primarily to the fact that the Stones made it an international hit. The song however, as many songs do, has an interesting history prior to the Stones cover. Time is on my Side started out as a jazz composition by Jerry Ragovoy (under the pseudonym Norman Meade), with only a few thoughts for lyrics.

Songwriter Jimmy Norman, fleshing out Ragovoy's lyrical ideas ("time is on my side" and "you'll come running back") completed additional lyrics just prior to the Soul Queen of New Orleans, vocalist Irma Thomas, recording the song before the Stones in 1964. So let's hear Irma performing the song on her home turf with a tremendous backing band including composer Allen Toussaint on paino, among other New Orleans legends.
Laissez le Bon Temps Rouler!


Irma Thomas (live), Time is on my Side

29 December 2012

'Believe It or Not, He Remembers It All': "Life": A Memoir by Keith Richards


Keith Richards

Keith, Mick and Brian and Co. in 
Achmed's Hash Shop, Tangier, Morocco

"I think I can talk for the Stones most of the time, and we didn't care 
what they wanted out there. That was on of the charms of the Stones
And the rock-and-roll that we did come out with on Beggars Banquet was enough. 
You can't say apart from "Sympathy" and "Street Fighting Man" that there's 
rock and roll on Beggars Banquet at all .... This is music." 
-- pp. 238- 239, Life (paperback, 2010) by Keith Richards
_____________________________________________________
....
Well his world is torn and frayed
It's seen much better days
Just as long as the guitar plays
He'll steal your hear away
Steal your heart away 
....
- chorus of Torn and Frayed (Jagger / Richards),
Exile on Main St (1972), The Rolling Stones

There is clearly no ghost writer here. Keith Richards, principal guitarist and co-songwriter for The Rolling Stones, let's his personality come shining through on every page of his memoir, Life. (Keith did, by his own admission, need an editor, his trusted colleage journalist James Fox.)

Livin' as hard as Kieth has, it's incredible all that he remembers. We read an unvarnished tale of this working class kid from the London projects (aka Estates) making good with the Stones, the band that fueled with his enormous talent. This memoir also gives us a window into how his music reflected his hard livin', on and off the road. Keith shares tales of sometimes dubious adventures, family lives, loves, and heartbreaks. We also hear of the battles Keith had with his partner and friend, Mick Jagger, with press distortions wiped away.

In a recent interview, actor Malcolm McDowell said he thought everybody should read this book. My goal here is less ambitious; I just want to share some pleasant surprises I founding reading the book. Wanna know how bands work: why some stick together and some blow apart? Interested in the evolution during the 1960s of the modern LP? And for hard core fans, there are details more specific to the Stones. I was fascinated reading that the original studio version of Jumpin' Jack Flash was done all on acoustic guitars, played through over-loaded 1st generation cassette players. Stones album back stories come alive with Richards' pen, just as his guitar brought brought a wealth of popular music to life. If you want to know more about why the music of late '60s and early '70s  is so important to a lot of folks like me, read this book.

Keith, a surprisingly charming man, tells his story with unexpected candor. He traces the path of a great British blues rock band making musical history over the last 50 years as well as his life inside and out of that band. I cherish what I learned from this detailed account of Keith on Keith.

Here's a little taste of Keith slowing things down, fronting his other great band, The X-Pensive Winos.


Keith Richards and The X-pensive Winos

25 December 2012

"Too Good for the Basement" Series (No. 2): Great Rock Vocalists: Peter Wolf & Co., "Nothin' But the Wheel" (2002)

[reworked and reposted; from early 2011]


Peter Wolf live at Wolftrap (2010)
____________________________________


This is one of the best crossover tracks by a great rock singer/songwriter giving us a modern country classic. Peter Wolf, former front man for The J. Geils Band -- here with another of the great rock vocalists and a first class team of studio musicians -- cutting the perfect road song for his 2002 solo album Sleepless.

One more a thing about "another of the great rock vocalists": Jagger may not have stuck around for more of the sessions for the Sleepless album than just to cutting the harmonies for Nothin' but the Wheel, but Mick certainly left his influence all over Peter's vocals on the other album cuts I've heard. But that's the way it goes when you're rollin' down the interstate looking for a back road to unwind.

And yes, the Highway 41 in Nothin' but the Wheel is the same road Dickie Betts was, in the song, 'born rollin' down' "... in the backseat of a Greyhound bus ..."

I love this song more each time I hear it. So give her a spin; eh, what do you have to lose?

01 October 2012

Hal David, Requiescat in Pace

Burt Bacharach, Dionne Warwick and Hal David

Before I got my first stereo in 1970 at the age of 13 and discovered Top 40 radio pop and rock, my only source of music was my dad's AM radio station of soft pop and too much talk. Of the few songs that grabbed me, most were written by Burt Bacharach and the late Hal David. Dionne Warwick built her career on them. Solid melodies and smart, poetic lyrics saved me until I found rock 'n' roll.

Thanks Hal.

Burt Bacharach (written by Burt Bacharach and Hal David) accompanying Dionne Warwick on 


26 September 2012

Meandering Musical Musings

A Guest Contributor Who Wishes to Remain Anonymous

The Go-Go's
Last week I was music surfing on Youtube, at the back of my mind was the thought that 80s music ladies were hotter than what we see today. I ran across some interesting stuff.

First up, the Bangles, tearing it up during this concert footage.
I love that they are not half naked, and there are no dancers. They just perform. But they look like they are having almost as much fun as the crowd. Some great 80s big hair. Susanna Hoffs has the eyes of an anime character.
Here she is, front and center, in a fairly recent performance, at age 52. The years have been more than kind.

Interlude: I once heard WWE chairman Vince McMahon make the distinction between 'sports' and 'sports entertainment'. This was eye-opening, once I extended the idea to the difference between 'music' and 'music-entertainment'. I guess I prefer music. Particularly to the often vulgar antics of modern music entertainment.

Speaking of girl bands, and having fun, here are the Go-Go's, with comedian Jack Black as front man. It's big goof, and everyone is having a blast.
What's missing from the clip above is Belinda Carlisle. I mentioned that 80s ladies were hot, check this out. Belinda is dressed quite demurely in this video, and she is still impossibly hot.



Jumping back to off-beat cameo appearances in a music video, check out the driver in this one:
If you like music entertainment (guilty pleasure), there is a time and place for it. It's called Glee. Here's a clip with Heather Morris, aka HeMo. She is a world class dancer, funny, and can carry a tune.
http://youtu.be/vvzMb8M23P0
Wrapping up with the Pixies
and Sonic Youth, just because. Below is one of the greatest covers ever recorded.
Only thing missing from this concert set was you, but you were here in my thoughts.