Invisible

Gone, But Not Forgotten

Thanks For the Memories...

Gold Coast Bluenote was founded in 2005, by Jim Kearney (aka, Paco Malo). It was a labor of love that he took on to share his knowledge and express his feelings about the music, the movies, the art, and the literature that shaped his life.  There are over 500 entries in this blog, and each contains Jim's unique insights and observations about a host of different subjects. Today would have been Jim's 57th birthday.  I am honored to be able to keep GCB up and running, and accessible to all who pass through to research, review, and remember the topics he covered. Please feel free to browse through his posts, commenting and sharing on any of them that has a special meaning in your life.

Great Music, Great Friends

  The other night, I received a rather serendipitous email from a close friend of Jim's. It tells the story behind a Gold Coast Bluenote post that dates back to 2005. I thought it would nice to share the story as a post on it's own, complete with links to the original post, as well as to the music of Alison Krauss, who's beautiful voice inspired it.

It's funny how our lives weave together disparate elements, and make them inseparable. I was listening to some tunes last night. The music got me thinking about Jim, and GCB, and that in turn made me think of you.

Here's the back story behind an old post on GCB:(http://goldcoastbluenote.blogspot.com/2006/12/all-my-answers-turned-out-to-be.html). Alison Krauss and Union Station were scheduled to play Lakeland in Dec 2005. I wanted Jim to go see them, and to cover the concert for GCB.

Why? Union Station is the tightest band I have ever seen. Every member is a master musician. Some bands sound great on an album, but just so-so live. Union Station delivers the goods live, every time. Alison Krauss was then (is still) one of the best singers in the world. And she also has the instrumental chops to play with Union Station. Jim had never seen them; I wanted to fix that.

I knew Jim was a bit tight on funds, so I bought him a ticket. As we exchanged emails, it dawned on me that he had no way to get from Tampa to Lakeland and back. In for a dime, in for a dollar. I bought another concert ticket, and a plane ticket, and arranged to fly in from NC so that Jim and I could see the show together. One of the best nights of my life, by the way.

As Jim put it

First timers think they are just going to a concert; but after they listen to these musician’s musicians, they leave the show, just having found that Yahweh cuts us sinners a break now and again.

Digging around on youtube I found a great concert recording of AK/US. It's about three years before the show we went to, but has a quite a bit of overlap with the show we attended. I saw this 2002 tour in Durham NC, and it made me a fan for life. Sometime when you have an hour or so, read Jim's post, open a cold one, and give this a spin: http://youtu.be/HKgTra0QldE

Just one thing though. The concert Jim and I went to had a different encore, as mentioned on GCB. It gave me chills. Here it is, as performed on the Leno Show:

https://m.youtube.com/watch?v=5gmVzbjxwl4.

later bro,
drc

"Baby Doll": Our first glimpse of legendary character actor, Eli Wallach

For my first official GCB blog entry, I would like to pay tribute to Hollywood legend, Eli Wallach, who passed away last week, at the age of 89. His screen debut in Baby Doll (1956) showed us all a glimpse of the talent that would ultimately make him one of the greatest character actors of our time. Below is the link to a beautiful video produced by Turner Classic Movies, featuring many of the highlights of his career. Knowing the kind of movie buff that Paco Malo was, it is highly unlikely that he would have let the opportunity to recognize Eli's contributions to the silver screen slip by.

TCM Remembers Eli Wallach

The Shangri-Las: One Adaptable song I used to play as well as a Phil Sector "Wall of Sound" Gem

Hello Gold Coast Bluenote friends and followers. My name is Mike Baluja, and I am honored to say that I've been granted permission by Jim's family to maintain his blog. My primary objective will be to make sure that his body of work remains accessible to all those readers out there who are interested in the the topics Jim wrote about. I plan on reblogging many of his 512 posts and sharing them on various social networks. I will also do the best I can to attend to any comments or questions along the way. On occasion, I may be moved to post something of my own, sticking as close as possible to Jim's blueprint for GCB. I can't guarantee the same commitment to this blog that Jim showed, but I will definitely try to maintain the integrity and the love he had for music, movies, and art, in general. That said, I would like to leave you with what would have been Jim's final post. It was saved in draft form, so I imagine he still had a few things to edit before publishing it, but he never got the chance to. Here it is...

First, before the Phil Spector mono trip to Paradise, a personal favorite: The Shangra-Las The Train from Kansas City. With easy chords and adaptable lyrics I did a personal rewrite for acoustic guitar every time I play it -- depending on a special city of the lady the song was addressed to. I even included a spoken-over slowing and speeding that train up with a choppy D chord. I played Train from Kansas City every chance I got.

The song Paradise I discovered on a late friend's Phil Spector box set I'd highly recommend, Back to Mono from 1991. It's a comprehensive journey through Spector's pioneering work, including his most ending "Wall of Sound" work. What is the Wall of Sound? he Wikipedia Contributors let songwriter John Barry, "who worked extensively with Spector", describe it:

[It's] basically a formula. You're going to have four or five guitars line up, gut-string guitars, and they're going to follow the chords...two basses in fifths, with the same type of line, and strings...six or seven horns, adding the little punches…formula percussion instruments–the little bells, the shakers, the tambourines. Phil used his own formula for echo, and some overtone arrangements with the strings. But by and large, there was a formula arrangement.

From the songs include and Tom Wolfe's included essay, I learned the merits of mono production. To experience the Wall of Sound is quite simply to fall in love with it.

It seems I'm always working backward; the girl groups were biggest in the early '60s, when I was six. These days its trying to learn the music from the black R and B charts I've never had a chance to explore

For my money, lead singer Betty Weiss (front right) is the hot, hot, hot -- sexier to me than my imagination can muster.

It is my sad duty to inform the readers of Gulf Coast Bluenote that its author, Paco Malo, has passed away.

As you may have imagined, "Paco Malo" was a pen name. I want to say a few words about the man I knew as "Jim".

We met in high school, and were friends for more than forty years. Jim was a gentleman and a scholar. He held a PhD from Johns Hopkins, and a JD from U of Maryland Law School. He loved to laugh, and did so in spite of a life too often touched by pain. He was a compassionate and generous soul. Jim was that guy who really would have given you the shirt off his back.

And he loved music, man did he love music. The GCB blog was his way to share that love and his wide-ranging knowledge of all things musical. Jim loved the community of blogging, the back and forth of comments, the connection with his readers. On his behalf I say to every reader of this blog, thank you.

For me this post completes a circle. Back in the day when blogs were a new thing I ran a blog, now long shuttered. Jim was fascinated, and had the idea to contribute guest postings, always about music. After a bit of that, he decided to go solo, and Gold Coast Bluenote was born.

Over the years Jim and I shared many a musical discovery. The last note I sent him contained links to a couple of performances I think he would have enjoyed. I don't know whether he got the chance to watch them. I will post them here, for you his readers, his friends.

The first is a bluegrass cover of "Wild Horses" by Old and In The Way. Jim was huge Stones fan, and he appreciated good bluegrass. The second performance features the superb Ana Vidovic. Jim never could resist a guitar.

I hope you enjoyed those, Jim. Ave atque vale, my friend.

One more thing. One of Jim's musical collaborators is going to try his hand at running GCB. That's a tall order, but I think Paco would have been pleased.

drc