"I Wanna Love You but I'm Getting Blown Away": Neil Young's "Like a Hurricane" (1977)

It's hurricane season down here in Florida. As politically incorrect as this is, I can't help but let my mind wander back to the early 60s and all the fun we had teasing women about storms that they shared a first name with. You see, back then feminism hadn't gotten more than a little start progress that that kicked in during the early 70s. Hurricanes not only had women's names but also were referred to, even by TV meteorologists, as "she".

I remember one wicked storm back around '62 named Hurricane Carla -- a storm that shared her name with my dad's best friend's wife. Carla and her ole man got no end to the teasing they had to endure from close friends as that storm battered the Florida west coast. I even fictionalized all this once, shifting both the characters and also the time frame around. Here's an excerpt from my unpublished short story Wrist Shake (in press):

.... Preparing for the [fly rod fishing for tarpon] trip, four of us sat in the living room working on tackle: me, my dad, his comedian/fishing partner Jerry, and my brother Henry.

Jerry was on a roll, teasing as always. My girl Carla and I were fighting, so Jerry had plenty of fresh material. ...

Jerry started in on me. “So what’s the matter, lover boy, Hurricane Carla blow you ashore this evening?”

“Cut me some slack, Jer,” I half pleaded and half barked.

“Lay off him,” Henry said, “he can’t make tackle and weather Carla’s swirling gusts all at the same time.”

Now Jerry starts to croon, “When you’re down, and troubled, and you need a helping hand …”

“Please,” now I was pleading, “leave Carole King’s insights out of this.” I struggled to recover, “Don’t you have some shopping to do? That fine new white sport coat in your closet just cries out for a pink plastic carnation for the lapel.”

Dad decided it was time to move things along. We all reacted to the authority in his eyes and his voice: “If you gentlemen can wrap this up, we can still catch the 10:30 [pm] high tide.” We were immediately back on task. ....

Flash forward to the late 70s. Sexism had begun it's slow death and the iconoclastic Neil Young had come up with a worthy follow-up to his power ballad Cortez the Killer (1975), Like a Hurricane (1977) -- a song whose lyrics compared lovin' a woman to enduring a hurricane. Moreover, Neil's trademark power chords and lead riffs between verses do a fine job, metaphorically turning electric guitar solos and chord crashes into what it's like to be in a hurricane. And almost every live album Neil did after '77 contains a version of this song. (The acoustic live versions were even done on a giant antique pump-style pipe organ.)

'Nuff said. Here's Neil Young and Crazy Horse performing the original album cut of Like a Hurricane from Neil's 1977 American Stars 'n Bars album.

Louis Armstrong & His Orchestra: "I'll Be Glad When You're Dead, You Rascal You" (1931)

I first heard this song in 1983, during the "Big Band and Nostalgia" show on Tampa's community radio station, WMNF. I never forgot one of my favorite lyric verses from this recording: "I'll be standin' on the corner high, when they bring your body by, I'll be glad when you're dead you rascal you."

I lost track of what song that was from until I heard another version by Satchmo, without my beloved verse, in a 1932 Betty Boop cartoon of the same name that a friend had in her collection.

Now, all these years later, my understanding of Louis Armstrong's music and influence vastly deeper, I love everything about this song. I hope you dig it, too.

(Editor's Note: Don't bother with the visuals in the clip, other than to check out the 78's record label -- the loop-editing may get annoying. On a more important matter, noted by DRC in the first comment below, is the fine sound quality in the clip. My bet is that, while the clip shows a 78 playing, the audio actually comes from one of the CD reissues of the compilation album Louis Armstrong (1928-1931) (1991), on which this cut appears.)

The Ronettes: "Paradise" (recorded 1965) -- A Magnificient Rare Master from Phil Spector's "Wall of Sound" Era

I discovered the song Paradise many years ago on a box set -- Phil Spector's Back to Mono (1958-1969) (1991) -- that belonged to a now-departed friend. Dear Dana, thanks again!

The Wikipedia contributors, at The Ronettes discography, tell the back story to Paradise concisely:

The Ronettes recorded many songs for producer Phil Spector which were not released until after the group disbanded in 1967. Today, some of their originally unreleased songs are just as critically applauded as their biggest hits. Paradise was not released until after the group broke up [-- on an earlier Spector collection, Phil Spector Wall of Sound, Vol. 5: Rare Masters Vol. 1 (1976)] ....

And let me share just one anecdote, again from the Wikipedia contributors, about when Ronnie met Keith Richards for the first time on The Ronettes first tour of the U.K. in 1964:

On their first night in England, The Ronettes were brought to a party at Tony Hall's house where they were introduced to The Beatles. ... But for Ronnie, one of the biggest thrills was meeting Keith Richards of The Rolling Stones, who were the opening act for The Ronettes opening act on their UK tour. ... Richards, who wrote of his relationship with Ronnie: "The first time I ever went to heaven was when I awoke with Ronnie (later Spector!) Bennett asleep with a smile on her face. We were kids. It doesn't get any better than that."

There is no better way to learn more about Phil Spector's groundbreaking "Wall of Sound" than to listen to the original recordings. So give this clip a few virtual spins and you will get a little taste of Paradise -- you may never want to come back.

Jimmy Cliff: "Many Rivers To Cross" (1972)

Here's the incomparable Jimmy Cliff performing a definitive studio version of his classic Many Rivers to Cross, from the soundtrack album of the reggae break-out film The Harder They Come (1972).

The soundtrack album changed my life in more ways than one. When I dragged my first wife to see the film, I loved it and she hated it. You can't changed your taste, but wives, well, let's just say I still love the album and she's long gone.

So here's Many Rivers to Cross, a heavily gospel influenced song Cliff wrote in 1969.

"Get Low" (2009): A New Classic Film from Robert Duvall and Company

You want to see a contemporary film masterpiece you haven't seen: check out "A True Tall Tale" of a real American in 1938, Get Low (2009), starring Robert Duvall and Sissy Spacek -- a new addition to the canon of great American films.

A colleague, the Paullinator, recommended the film to me for the music by The Steeldrivers, Alison Krauss, and Jerry Douglas -- as well as the film itself. Robert Duvall was one of the producers, working with Dean Zanuck, the third generation of the Zanuck family film production dynasty. Bill Murray and Lucas Black co-star in fine supporting roles.

The story is loosely based on the real life tale of Appalachian eccentric Felix Breazeale --"Felix Bush" as played by Robert Duvall -- who wants to have his funeral "party" before he dies, for a very special reason. The film left me entertained and spiritually moved to tears. A female friend of mine was was equally moved, identifying strongly with Sissy Spacek's character Mattie -- a strong woman who in maturity must recalibrate her life's compass because of past events and a lost love surging to the surface of her life.

Indeed, I've talked to 4 people about this film and all were deeply moved. As the Paullinator put it, "What I think is refreshing about the film is that it deals so frankly with the human condition – with humility." Another couple was not only spiritually moved but also mystified as to why this film had never made it big at the box office. In my view, Get Low will certainly find its audience with it's good word-of-mouth and stirring, heartfelt themes.

This film is everything a classic should be -- entertaining, rich is detail right down to the visuals, excellent writing and acting, incredible music, and it's stirring, understated themes. In short, a new essential with a moving story that will move most anyone with a heart.

"Ordinary Man" - Christy Moore Live at The Point (2006)

Here is Christy Moore with a very talented friend performing Ordinary Man -- a song originally written in the mid-80s by Peter Hames. This clip is from 2006, live at The Point, an Irish concert venue in the Docklands section of Dublin; this venue ran from 1988 to 2007.

My old running buddy the Big Gallute sent me this while touring Irish pubs working on his guitar playing and beer drinking skills. This Chicago native noted that the song was "accented by heavy nihilism." I respectfully disagree. This isn't nihilistic, it's the modern employment world for the "ordinary man." Christy tells us what he thinks as he introduces the song in the clip below. But what do you think?

One Mo' Time

Back in the day, we used to listen to 45s constantly, with 10 or so in heavy rotation. These are the songs I can still remember the lyrics to 40 years later. I've fallen into that kind of pattern with the Gina Sicilia clip of her song Before the Night is Through below. I already have a good bit of it memorized.

I'm gonna exercise a little editorial discretion and leave that clip up for a short while. It deserves to be in a heavy rotation playlist for 40 weeks, at a real rock n' roll station, but that kind of radio died 25 years ago.

So here's Gina, from her 2011 album Can't Control Myself. I'm giving her some more top-of-the page exposure here. You've got to give artistic greatness a chance for, in this case, her audience to find her.
Grazie, mille -- Gina Sicilia, buona fortuna.